论马尔罗小说与绘画艺术

• 作 者: 刘海清
• 机 构: 北京大学外国语学院,
• 出 处: 国外文学
• 发表日期: 2006年03期
• 关键词: 人的状况 想像中的博物馆 艺术变换 视觉效果 美学意义

作为小说家和艺术批评家的马尔罗沉醉于“想像中的博物馆”,沉醉于艺术形式永恒的不朽。古往今来的造型艺术,尤其是绘画艺术,在作家笔下变换为超时间性的形式,获得了新的价值和意义,成为揭示命运、改造现实、超越人类状况的有效途径。尽管小说创作的材料是文字,马尔罗却用语言文字缔造了与绘画作品相媲美的视觉效果和美学意义。他的小说文本超越了文字的界限,在同绘画形式的参照和对话中形成了独特的文体风格,因而创造了一个包含丰富哲学、美学和道德思想的艺术小说的类型。

Marlowe, a novelist and art critic, indulges in the “imaginary museum,” immersed in the eternal immortality of the art form. Throughout the ages, the plastic arts, especially the art of painting, have been transformed into ultra-temporal forms by writers, gaining new values ​​and significance and becoming effective ways to reveal their destiny, transform reality and surpass the human condition. Although the novel’s material is written in words, Marlou uses the language of writing to create visual and aesthetic meanings comparable to those of paintings. His novels transcend the limits of writing, forming a unique stylistic style in reference and dialogue with the forms of painting, thus creating a genre of art novels rich in philosophical, aesthetic, and moral ideas.