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“高西园,胶州人,初号南村,此幅是其少作,后病废用左手,书画益奇。人但羡其末年老笔,不知规矩准绳,自然秀异绝俗于少时已压倒一切矣。西园为晚峰先生画,余不及见晚峰,而西园见之。后人不见西园,予得友之。由此而上推,何古人之不可见。由此下推,何后人之不可传,即一画有千秋遐想焉。”这是“板桥郑燮”在高凤翰《寒林鸦阵图》画轴绫边上的一则题跋,从中可看出郑板桥(也可以说是同时代自由文人群体)对高风翰的推崇和激赏。
“High West Park, Jiaozhou, No. 1 Nancun, this is the less work, after the disease wastes left hand, painting and art .However, envy of its last years, I do not know the rules, the natural show off in less time Overwhelm everything carry on .West Garden for Mr. evening peak painting, I can not see the late peak, and West Park to see the descendants did not see the West Park, to be friends .Therefore push, where the ancients can not see. , After which people can not pass, that is, a picture of all ages imagination. ”This is “ Banqiao Zheng Xie ”in Gao Fenghan Zheng Banqiao (also can be said that contemporary liberal literati groups) respect and reward Gao Feng Han.