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一进书店,见有凯鲁阿克的《在路上》(漓江版),犹豫片刻,决定不买。封面让人不舒服。那封面取用一幅嬉皮士吸毒的照片,几个臂膊上刺青的家伙一副死去活来的样子,看着就是假。小说封面用人物照片总归显得粗俗。也许,由于摄影本身是一种纪实手段,有悖于小说的艺术,其格调、趣味都跟小说大相径庭。不过如今这等不伦不类的事物太多,倘如一一挑剔起来,倒显得自己过于愤世嫉俗,有时只得认了。可是,想起来还是不舒服。二读明人李乐《见闻杂记》一书。其论日:“愤世不如玩世,多情不若忘情。”此二句似貌合老庄之说,与当今国人心态亦颇契合。据称,当今已进入所谓“后现代
Into the bookstore, see Kailu Ake’s ”on the road“ (Lijiang version), hesitated for a moment, decided not to buy. Cover uncomfortable. That cover took a photo of a hippie drug addict, a few arm tattoos on the guy a dead look, it is fake. The novel cover with personal photos always seem vulgar. Perhaps, because photography itself is a documentary means, contrary to the novel’s art, its style and taste are very different from the novel. However, there are too many such nondescript things at this moment. If we pick them up one by one, they are too cynical and sometimes recognized. However, I still feel uncomfortable. Second reading Ming Li ”anecdote“ a book. On the date: ”cynical as cynical, passionate if forgetfulness. “ This is a combination of these two looks like Lao Zhuang, mentality is quite fit with today’s people. Allegedly, so-called ”postmodern" has now entered