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练习曲与乐曲的关系我们在器乐学习中,要特别关注练习曲和乐曲的辩证关系,两者虽有区别,却又密不可分。弓弦乐器的空弦蕴涵着无尽的乐思,长弓缓缓奏来,似空谷中的回响,又如思绪悠悠的遐想;短弓铿锵的急奏,犹如战鼓的敲击,又似行军中匆忙的步伐。空弦练习尚且能如此,其它练习曲自然更是乐在音中了。大量已经旋律化的练习曲在特定速度的规范下也就必然在音符丛中表现出特定的音乐思想。正是从这个
Etude and music relations In the instrumental learning, we should pay special attention to the dialectical relationship between the music and the songs, although the difference between the two, but also inseparable. The empty strings of the bowed stringed instrument imply an endless stream of music. The longbow is played slowly and echoes through empty valleys. Another example is the reverie with long thoughts. The short bow sonorous echoes are like a drummer’s percussion and a hurry in march pace of. Empty string practice is still able to do so, other Etude naturally more enjoyable in the sound. A large number of melodic Etude in the specific speed of the norms will inevitably show in the note cluster specific musical ideas. It is from this