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越剧《西厢记》是根据王实甫原作改编的。改编后仍保留了不少原作长短句的词格特点。这与越剧传统的七字句格有很大差异,因此唱腔的设计难度较大。袁雪芬与作曲家刘如曾对这个戏的音乐语言和唱腔结构作了新的探索和较大的突破,生动地体现了典雅清丽的诗剧风格,成功地塑造了崔莺莺这个既受封建礼教束缚,又要追求自由。内心充满矛盾的相国小姐的音乐形象。
Opera “The West Chamber” is based on Wang Shifu original adaptation. After the adaptation still retains a lot of the original length of the sentence of the word features. This is quite different from the traditional seven-character sentence of Yue Opera, so the design of the singing chamber is more difficult. Yuan Xuefen and composer Liu Rutang made a new exploration and breakthrough in the musical language and singing structure of the play, vividly reflecting the elegant and elegant style of poetry drama, and succeeded in shaping Cui Yingying, which is not only bound by the feudal ethics but also The pursuit of freedom. The heart is full of contradictory Xiangguo music image.