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昆曲唱腔尚圆活流动、曲折婉转,现在有些演员唱变了味。戏曲演员学习科学的发音方法, 要化入戏曲特有的声腔系统,万不可失掉自己。京剧在声腔上仍有创新的空间,不应仅仅抱旧守成,使之成为“夕阳艺术”、“垂暮艺术”。在继承流派风格上,有些演员貌似神离,“于自以为得意处,用力太过”,流于村俗、虚矫。须领会中国艺术所讲究的“情”、“味”、“形”、“神”和“刚柔相济”的美学精神。戏曲声腔艺术水平的提高,需要众声喧哗式的自由的艺术评论。
Kunqu opera is still flowing, twists and turns mildly, and now some actors sing changed the taste. Drama actors learning the scientific method of pronunciation, into the opera unique vocal system, must not lose yourself. There is still room for innovation in the vocal opera. Peking opera should not only be embraced by the old, making it a “sunset art” or a “twilight art.” In the genre of succession genre, some actors seemingly divine, “in the self-satisfied place, too hard”, flows in the village custom, virtual correction. We must understand the aesthetic spirit of “love,” “taste,” “form,” “god,” and “rigidity and softness,” which pay attention to in Chinese art. The improvement of the artistic level of the opera vocal art requires the free artistic commentary of numerous vociferous styles.