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在近期的一个全国性影赛上,看到一组入围的片子,强烈的形式感告诉我这种纪实摄影作品非摆拍莫属,但如此规整的形式,给人的是美感还是丑陋呢?纪实摄影在突出主题思想的前提下,其构图、光影等基本元素并不是可有可无的,应该与主题相辅相成,形式过于弱化,难以表现主题,形式过于强化,就会抢了主题的眼,反而会弱化主题。因此,纪实摄影非随意性的扫街、盲拍,应该注入自己的思想、自己的情感,特别是自己对社会的认识,哪怕有所偏颇、有所浮浅,也是应该鼓励的。
In a recent national film and video contest, when I saw a group of finalists and a strong sense of formality told me that this kind of documentary photographic work should be displayed in a non-posed manner, such a regular form gives beauty or ugliness. Documentary photography under the premise of highlighting the theme of thinking, its composition, light and other basic elements is not optional, should be complementary with the theme, the form is too weak, difficult to express the theme, the form is too strong, it will rob the theme of the eye, But will weaken the theme. Therefore, non-random documentary photography sweep the streets, blind shot, should inject their own ideas, their own emotions, especially their own understanding of society, even if biased, somewhat superficial, should also be encouraged.