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从以实用为目的视野中走出,现代陶艺便不应再局限于传统陶瓷母体中的“破坏”与“重建”.面对更为广阔的伸展空间,陶艺以其无比强大的创造发展的潜力向人们昭示:它同绘画、雕塑或其他艺术门类一样,是一种具有独立品格的艺术创作.陶艺是“土’与“火”的艺术.这是人们已经习贯的说法和看法.诚然,以“土”为料,以“火”塑之,“土”与“火”的痕迹通过坯体的质感、釉色等充分地展示着二者相融的必然性和偶然性.成果的绚斓遮敝了形成结果的本源——那就是用“手”作陶之前的“心”的旅程.
From a practical perspective, modern pottery should not be confined to “destruction” and “reconstruction.” In the face of a broader space for expansion, pottery is capable of using its immense potential to create and develop It is clear that, like painting, sculpture or other art genres, it is an independent artistic creation, and pottery is the art of “earth” and “fire.” This is what people have come to understand and believe. “Earth” as the material, with “fire” plastic, “earth” and “fire” traces of the body through the texture, glaze, etc. fully demonstrate the inevitability and fortuitous nature of the blending of the two. The origin of the result - that is, the journey of “heart” before “Tao” by Tao.