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王国维是中国现代美学的奠基者,对我国近代文学、美学研究具有突出的贡献。本文主要从美学的角度来探讨王国维悲剧观形成的原因。笔者认为王国维之“忧”与其忧郁的性格、坎坷的个人经历等方面有很大关系,加之在“西学东渐”的近代学术背景的影响下,其忧世情怀与忧生情结又迫使他将目光投向西方哲学、美学的研究,最终促成了他“人生悲剧”观的形成,这种悲剧观渗透于王国维的文艺美学实践中。
Wang Guowei is the founder of China’s modern aesthetics and has made outstanding contributions to the study of modern Chinese literature and aesthetics. This article mainly discusses the reason of forming Wang Guowei’s tragedy view from the aesthetic point of view. In my opinion, Wang Guowei ’s “worry ” has a great relationship with his melancholy personality and rough personal experience. In addition, under the influence of the modern academic background of “learning from west to east” Complex also forced him to turn his attention to the study of Western philosophy and aesthetics, eventually led to the formation of his “tragedy of life” concept, which permeated the literary aesthetics of Wang Guowei.