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郑雨出生的年代恰是70、80的交界,他说认识的差不多同时期的摄影师普遍在从事着比较商业化的拍摄,他自己也曾有过为了生存拍照片的时期,但毅然改变了这种方式,他说:“摄影是需要有纯粹个人的创作的。”所以,除了自己的商业拍摄外,他仍然保持着高频率的个人化创作包括对湿版摄影的尝试。在胶片时代接触摄影的他,至今仍有着浓厚的胶片情结,“胶片给人一种颗粒的存在。”60’70’80’一些人物,一个时代,一段记忆,一处烙印,一种特色。
Zheng Yu was born at the junction of 70,80, he said that almost all photographers of the same period of time generally engaged in more commercial shooting, he himself had had to survive the photo of the period, but decided to change In this way, he said: “Photography requires the creation of purely personal photography.” So, in addition to his own commercial photography, he still maintains high-frequency, personal creations, including attempts at wet photography. In contact with photography in the film age he still has a strong film complex, "60’70’80 ’Some people, an era, a memory, a brand, a Features.