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L 刘冠军生在清贫的教师家庭,如果父亲不高的收入光支付全家的生活还好,偏偏母亲身体不好,经常是药罐子不离口。越穷越不敢请假,父亲不能陪母亲看病,常常是刘冠军充当母亲的拐棍,用他那弱小的身躯支撑着妈妈走到医院。刘冠军的艺术启蒙是从看小人书开始的,小人书上直观的人物形象,让刘冠军产生了无限的暇想,看完了一本小人书,就在刘冠军心中留下一个活动的影像,他时常能调出来“翻翻”。那会儿的小人书,一本
L Liu Guanjun was born in a poor teacher’s family. If his father’s income was not high enough to pay for the whole family’s life, his mother was in poor health. Often the medicine jar would not leave. The poorer the more not to leave, his father can not accompany his mother to see a doctor, often Liu Guanjun as mother’s walking stick, with his weak body supporting her mother went to the hospital. Liu Guanjun’s artistic enlightenment started with the book of villains, and the visual characters on the book of villains made Liu Guanjun have an immense leisure time. After reading a book about villains, Liu Guanjun left an image of his activities, He can often be called “flip”. That little villain book, one