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雨果的《(克伦威尔)序言》在1827年重磅推出,被誉为浪漫主义文学的宣言书。书中他提出了一条新的美学原则:对照。他认为:“丑在美的旁边,畸形靠近着优美,丑怪藏在崇高背后,美与恶并存,光明与黑暗相共。”他在代表《巴黎圣母院》里塑造出的形形色色的人物形象,上至国王,下至平民,各具特色,栩栩如生。最复杂的形象当属副主教克罗德(下文简称克),在他身上体现了一个特殊的对照关
Hugo’s “(Cromwell) Preamble” launched in heavy in 1827, known as the declaration of romantic literature. He proposed a new aesthetic principle in the book: Contrast. He believes: “Ugly next to the United States, deformity close to the beautiful, ugly hidden behind the loft, the coexistence of beauty and evil, light and darkness altogether.” “He in behalf of” Notre Dame de Paris, "shaped all kinds of people Image, up to the king, down to civilians, distinctive, lifelike. The most complicated image was undoubtedly the bishop Croder (hereinafter referred to as K), in which he embodied a special comparison