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阳翰生关心川剧发展。文革结束后,他回到故乡成都与四川剧戏界人士会见,给文革浩劫受重创的四川戏剧界以极大的鼓励和安慰。
Yang Hansheng concerned about the development of Sichuan Opera. After the Cultural Revolution ended, he returned to his home town of Chengdu to meet with Sichuan’s theater industry, giving great encouragement and comfort to the Sichuan theater industry that suffered heavy losses during the Cultural Revolution.