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历史上,恐怕还没有那个时代像今天的中国画坛这般色彩斑斓。之所以有如此判断,是因为当下的中国画坛至少具有以下几个前所未有的特征。其一,艺术样式多样。中国画最重对传统文脉的延续,其独特的绘画理念和表现形态,在某种意义上促成了这种由“延续”而导致的程式化倾向。中国画创作的程式化意味自明代晚期起,到清代发展到极致。上个世纪,中国画家曾经数度有过突破樊篱的冲动,但由于种种原因,虽出现个别成功案例,但总体上并未有质的飞跃。上世纪80年代以来,这种局面似乎有所变更,对笔墨图式语言的探究已及于各个层面,并且已有所成就。其二,艺术活动频繁。大概没有人统计过,今天在国内大大
Historically, I am afraid there is no such era as today’s Chinese painting so colorful. The reason why there is such a judgment, because the current Chinese painting at least have the following few features. First, there are many artistic styles. The most important contribution of Chinese painting to the continuation of the traditional context and its unique concept of painting and expression has contributed to this kind of “stylized tendency” caused by “continuity” in a certain sense. The stylized meanings of Chinese painting since the late Ming Dynasty reached its peak in the Qing Dynasty. In the last century, Chinese painters once had the impulse to break the barriers. However, for various reasons, although there have been some successful cases, there is generally no qualitative leap forward. This situation seems to have changed since the 1980s, and the exploration of the language of pen and ink has reached all levels and has been accomplished. Second, art activities are frequent. Probably no one statistics before, today in the country greatly