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陈爱莲(中)在北京天桥剧场排练厅练功。舞台上笼罩着迷朦的夜色,一束暗淡的灯光投射在一位卧病的少女身上。忽然少女眼前出现了幻影,她与一位男青年翩翩起舞,互诉倾慕之情。在这对恋人隐去之后,她的意中人又化为四个身影,涌现在眼前。少女欢欣地奔过去,继续同他们翩翩起舞,陶醉在幸福之中。此时,四个人影又突然变成了她的父亲,气势汹汹地斥责她。少女经不起精神上的刺激和折磨,终于倒地而亡。这是广东省音乐舞蹈艺术院舞剧团今年五月间在北京演出的民族舞剧《牡丹亭》的一个场面。女主角杜丽娘是由中国歌剧舞剧
Chen Ailian (middle) exercises at Beijing Tianqiao Theater Rehearsal Hall. The stage covered with a faint night, a bunch of dim light projected on a young girl who is sick. Suddenly the girl appeared in front of the phantom, she and a young man dancing, mutual admiration affection. After the pair of lovers disappeared, her lover turned into four figures, appeared in front of us. Maiden happily ran past, continue to dance with them, intoxicated with happiness. At this point, the four figures suddenly became her father, rebuked her in a threatening manner. Girls can not stand the mental stimulation and torture, and finally fell to the ground and died. This is a scene of the Peony Pavilion, a national dance drama performed in Beijing by the Musical Theater Academy of Guangdong Province in May this year. Actress Du Liniang is composed of Chinese opera and dance drama