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中国花鸟画、山水画、人物画到今天,似乎已到了烂熟的程度;烂熟不是好事,它意味着艺术到了顶点,没有发展的余地,也就是前几年有人惊呼的“穷途末路”了,这并不是危言耸听。特别是近几年,花鸟画这一画种以后发展的图景,令人感到渺茫,不少画家都已对此失去了想象力,没有太大的信心去重振笔墨、图式,因为面对炉火纯青的花鸟画,谁又能奈其何呢? 所以,不少人在看了由农民走进画家队伍的齐友昌的画展之后,都感受到一种欣慰——齐友昌以农民对大自然鲜活的感受赋予花鸟画以新的生命,这是其独特之处;看作品,齐友昌
It seems that Chinese flowers and birds paintings, landscape paintings and figures have reached a level of sophistication to date. It is not a good thing to overripe them. It means that art has reached its peak and there is no room for development. This is the “dead end” exclaimed in previous years. Not alarmist. Especially in recent years, the picture of the future development of flower and bird painting is very slim. Many painters have lost their imagination and have not much confidence to revive the ink and the picture because of the face As a result, a lot of people are relieved when they read the exhibition by Qi Youchang, a farmer who went into the painter’s ranks by the peasants - Qi Youchang lives freshly on the nature with his peasants Feelings to give flowers and birds draw a new life, this is its unique place; see works, Qi Youchang