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给名人拍少年儿童时代的影片,不容易。一是人生的这一阶段流传下来的素材毕竟有限,较难编织故事;再是此时正处在启蒙期,言谈举止常有其自身的种种局限,在局限中表现人物的活动就更难。电影既然是艺术,自然允许艺术虚构,只要基本上不背离历史、生活和人物的真实就可以。这部影片也是如此,因此对我们去认识少儿时期的鲁迅是会有帮助的。少年儿童就是少年儿童,自有其自身的特点。这是由这一人生阶段的生理、心理以及所处的生活环境所决定的。影片开始不久,就有一个给我印象颇深,也很富有少儿情趣的场面:子凌公公回来,在祖宗牌位前磕过头,转身
It’s not easy to film celebrity’s childhoods. First, the material handed down at this stage of life is, after all, limited and difficult to weave the story. At this moment, it is in the period of enlightenment, and its demeanor often has its own limitations. It is even harder to show the characters in the limitations. Since the film is art, nature allows art to fiction, as long as the basic history does not deviate from the real life and people can. This is also true of this film, so it will be helpful for us to get to know Lu Xun in his childhood. Children and adolescents are children and have their own characteristics. This is determined by the physiology, psychology and living environment of this life stage. Shortly after the film began, there was a scene that gave me a deep impression and a lot of children’s interest: Zi Ling Gong came back, knocked over before the ancestral tablets, turned around