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中国戏曲表演是有完整程式的。可以说没有程式就没有中国戏曲表演艺术。如:校场阅兵的起霸、武生赶路的趟马、双方开打的钻烟筒、皇帝升殿的朝拜、大臣上朝的顺轿、官吏升堂的站门、宾客拜访的迎送、游山玩水的观景、老生上场的整冠、捋髯、小生上场的理衣、掸尘、旦角上场的按鬓、整领……做到了平素有生活,舞台有程式。用程式进行表演是戏曲的特点,有些时候被程式框住又是戏曲的缺点。比如我们上述的一些表演程式,有时一出戏多次出现,反复表演,不分情节急缓、不管人物所处具体环境,凡上场人
Chinese opera performances are complete programs. It can be said that there is no Chinese opera performing arts. Such as: the school military paratroopers, Wusheng hurried trip horse, the two sides opened a drill chimney, the worship of the emperor ascension Hall, the minister of the North Korea Shunchao, officials rose hall station door, guests visited the welcome, sightseeing View of the scene, the elders playing the crown, 捋 髯, niche attendance clothing, dust, diamonds played by the 鬓, the whole collar ... to do a normal life, the stage has a program. Performance with the program is a characteristic of the opera, sometimes framed by the program is the drama of the shortcomings. For example, we some of the above performance program, and sometimes a play many times, repeated performances, regardless of the circumstances, regardless of the specific circumstances of the character where the players