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近二十年来,法国出现了几个重要的电影流派。了解这些流派的兴衰是研究世界电影史所必不可少的工作。 1974年法国出版的克莱尔·克卢佐的著作《新浪潮以来的法国电影》(法国文化现状丛书之一)比较详尽地介绍了从1958年到1972年期间法国电影的主要流派;对不少著名影片做了具体的剖析(如《胡作非为》、《朱尔和吉姆》、《漂亮的塞尔其》、《去年在马里昂巴》、《广岛之恋》、《长别离》等);阐述了它们的主题、风格以及电影表现手法的主要倾向。这里我们摘译了该书《导言》的第一节、正文第一章和第二章,做为研究的素材,提供给读者。
In the past two decades, there have been several major film genres in France. Understanding the rise and fall of these schools is an essential part of studying the history of world cinema. The French film Clare Closso, published in France in 1974, “The French Film since the New Wave” (one of the series of French cultural presentations) provides a more detailed introduction to the main genres of French cinema from 1958 to 1972; The film made a detailed analysis (such as “Hu Zuofei”, “Jules and Jim”, “Beautiful Selkirch”, “Last year at Marhangba”, “Hiroshima Love”, “Long Distance” etc.) Their themes, styles and the main tendencies of the film’s performance. Here we extract the first section of the Introduction to the book, chapters one and two of the text, as a source of material for the reader.