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以跨文化的视界解读陀思妥耶夫斯基的艺术,是当代陀思妥耶夫斯基研究(简称“陀学”)的一个基本特征。40年来,国际陀学界丰富多彩且日益活跃的多边学术交流活动之举行,多种以陀思妥耶夫斯基的艺术与思想为主题的定期辑刊之出版,是不同民族不同国度不同语言不同文化的人文学者共同解读同一位经典作家陀思妥耶夫斯基文学文本的生动见证。聚焦于这位伟大的话语艺术家的同一部文本来展开多维度的细读,更加彰显出跨文化的文学解读的广阔前景。中国陀学界应多方位吸纳国际陀学界的成果,围绕陀思妥耶夫斯基的艺术探索与思想探索的轴心,沉潜于陀思妥耶夫斯基的文本,致力于这位艺术大师之独特的小说诗学特征、独具的艺术美学特色、独到的哲学人类学洞见之深度勘探,努力开拓当代“陀学”新课题,开辟当代“陀学”新路径。
To interpret Dostoyevsky’s art from an intercultural perspective is a basic feature of contemporary Dostoyevsky’s study. In the past 40 years, the multi-lateral and multi-disciplinary academic exchange activities of the international Tuoye school have been held. The publication of a series of regular editorials with the theme of Dostoyevsky’s art and thought is the result of different languages of different nationalities in different countries Cultural humanities scholars jointly witness the vivid testimony of the same classic writer Dostoevsky’s literary texts. Focusing on the same text of this great discourse artist to conduct multidimensional intensive reading further highlights the broad perspective of cross-cultural literary interpretation. The Chinese Tuo scholars should absorb the achievements of the international Tuo scholars from all directions, center on the axis of Dostoyevsky’s exploration of art and exploration of ideas, dive into Dostoyevsky’s text, devote themselves to the master of art Unique novel poetics, unique artistic aesthetics, unique exploration of philosophical anthropology insight exploration, and strive to open up contemporary “Tuo” a new topic, open up contemporary “Tuo” new path.