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梅克尔的早期诗歌受到德国表现主义诗集《人类的黄昏》和布莱希特诗集《家训》的影响,这些诗歌宣泄了诗人内心的焦躁和对现实的不满,诗中充满愤怒的情绪和辛辣的讽刺,诗意的虚构与社会批判融为一体,诗人试图用艺术的自由游戏来与现实的强制相抗衡。有人问他为什么要写诗,他答道:“因为我要清除废品,撕碎幻象,我要高唱不满之歌、焦虑之歌和愤怒之歌,我要歌唱时间的破坏力。”1967年以后,他的诗风出现了明显变化,轻快的诗歌取代了愤世嫉俗之作,字里行间流露出乐观的情绪,然而这是一种建立在悲观主义基础之上的乐观主义,诗人以精神的优越笑看人生的痛苦和世界的不完善,愤怒的诗人变成了黑色幽默诗人。梅克尔写了许多情诗,这些情诗不是甜美的牧歌,而是乐天知命式的哀歌,作为人生的智者,诗人明白欢会之后就是离别,甜蜜只是爱情的最初滋味,随之而来的是酸涩,他的一部诗集因此取名为《酸》。梅克尔的风景诗是一种经验,他描绘了大自然的千变万化,营造了一种特定的氛围,使外在的自然与内在的心境相契合,诗中丰富的意象极易唤起读者的联想。幻想与现实的冲突、虚构与经验的对抗、乐观与悲观的矛盾形成了一种张力,这种张力赋予他的诗歌以鲜活的生命,并且带来了阐释的多义性。梅克尔是一个感性的诗人,他的诗歌充满了细腻的感觉,首先是视觉和色彩,其次是触觉,再次是听觉和声响,然而这种感性并非纯粹的感性,它和理性与沉思紧密相联。他的诗歌具有呼吸般的节奏感。德国十八世纪的著名文学理论家赫尔德指出:语言和诗是“神赐的气息”;梅克尔则说道:“我要认识自己的呼吸。”他的诗歌皆一气呵成,其中有由短促的呼吸构成的诗歌和由缓慢的呼吸构成的诗歌,所有的诗歌都气势流畅,正如诗人所言:“日与夜乃气息之流。”以下十二首诗译自梅克尔《诗百首》(Hundert Gedichte),慕尼黑卡尔·汉泽出版社1988年版。
Merkel’s early poems were influenced by the German expressionist anthology “Twilight of Mankind” and Brecht’s “Family Instructions”, which aroused the poet’s inner frustration and dissatisfaction with reality. The poem was filled with angry emotions and spicy The satirical, poetic fiction merges with social criticism, and the poet attempts to counter the real compulsion with a free-form game of art. When someone asked him why he wanted to write poems, he replied: “Because I want to clear the waste and shred my imagination, I want to sing the song of dissatisfaction, the song of anxiety and the song of anger, and I want to sing the destructive power of time.” “ After 1967, his poetic style changed dramatically. His brisk poetry replaced the cynicism, expressing optimism among the lines. However, this was a kind of optimism based on pessimism, and the poet was superior in spirit See the pain of life and the imperfections of the world, angry poets into black humor poets. Merkel wrote a lot of love poems, these sweet poems are not sweet idols, but optimistic lyric, as a wise man in life, the poet is to say that after the joy is parting, sweet only the initial taste of love, followed by the sour, One of his poems is therefore named ”Acid.“ Merkel landscape poetry is an experience he described the ever-changing nature, and create a special atmosphere, the external and internal state of mind natural fit, poem rich imagery can easily arouse the reader’s association . The conflict between fantasy and reality, the confrontation between fiction and experience, the tension between optimism and pessimism create a tension that gives his poetry a fresh life and brings about the ambiguity of interpretation. Meckel is a sensual poet, his poetry is full of delicate sensations, first of all, visual and color, followed by touch, again, hearing and sound, however, this sensibility is not pure sensuality, it is closely related with reason and contemplation United His poetry has a breathing rhythm. Herder, a well-known literary theorist of the eighteenth century in Germany, pointed out that language and poetry are ”the breath of God“; Merkel said: ”I want to know my own breath.“ His poems are all in one go, including poetry and poetry consisting of slow breathing consisting of shortness of breath, all of poetry are smooth momentum, as the poet said:. ”day and night is the breath of his ilk “ following twelve poems translated from plum Kerr, ”Poetry 100" (Hundert Gedichte), Carl Hanser, Munich, 1988 edition.