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明代书法分为早、中、晚三期。明代早期书法以继承宋、元帖学为主,仅沿袭元代传统,尚未形成特色。明成祖迁都北京后,国力昌盛,复以翰墨文章粉饰统治,培养出了一批御用书家,于是台阁书风一时兴起。一、明初书坛明初书法仍然沿袭元代书风,书法以复古为主,崇尚帖学。由于明代的皇帝大多酷爱书法,因此明代的帖学得以完善发展。当时著名书法家有“三宋”、“二沈”。“三宋”即宋克、宋璲和宋广,其中以宋克书名最盛,特别是他的章草,取得了很高的成就。
Ming Dynasty calligraphy is divided into early, middle and late three. Early calligraphy in the Ming Dynasty to inherit the Song, Yuan Tie learn mainly only follow the tradition of the Yuan Dynasty, has not yet formed a feature. After Ming Cheng Zu moved to Beijing, his country had a prosperous history. He reconciled the Han ink painting with his family and cultivated a group of royal book writers. First, the early Ming Dynasty calligraphy early Ming Dynasty calligraphy still follow the style of the Yuan Dynasty, calligraphy mainly retro, advocating postscript. Since most emperors of the Ming dynasty were fond of calligraphy, the study of the Ming Dynasty improved. At that time, famous calligraphers had “Three Songs” and “Two Shens”. “Three Songs ” that is, Song Ke, Song 璲 and Song Guang, of which the most flourishing Song title, especially his chapter, achieved very high achievement.