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之所以选择生命视角,首先是基于我对于生命的感悟。在我看来,世间万事万物都是有生命的,所不同的只是它们的具体存在方式。文学理论也有生命,是人类创造的精神生命之一,不仅有心跳,有脉搏,也有精神情感:受到高压时会沉默,条件允许时会反抗、呐喊,得到解放时会自由地创新发展……总之,时时在变易之中。不然,我们今天讨论其新世纪“走向”,便是一个莫须有的“伪命题”。其次,是来自中国传统文化的启示。我国传统文化十分强调生命,所谓“道生一,一生二,二生三,三生万物”,所谓“太极生两仪,两仪生四象,四象生八卦”,说的就是宇宙万物、大干世界,由无而有,由一而多、由简而繁,相因相续、生生不息的演化过程。传统文论的核
The reason for choosing a life perspective is based firstly on my perception of life. In my opinion, everything in the world is alive, the only difference is the concrete way of their existence. Literary theory also has life and is one of the spiritual life created by mankind. It not only has heartbeat, pulse but also spiritual emotion: it will be silenced when under high pressure, and will resist, shout and be free to innovate and develop when it is liberated ... In short , Changeable from time to time. Otherwise, if we discuss today’s “move toward” the new century, we will find it an unwarranted “pseudo-proposition.” Second, it is the inspiration from Chinese traditional culture. The traditional culture of our country places great emphasis on life. The so-called “Taoist Life, Second Life, Second Life, Third Life, Everything” means that everything in the universe is big Dry world, from nothing, from more than one, from simple and complex, phase by phase, the evolution of endless. The core of traditional literary theory