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自吉林省第十三届二人转新剧目调演以来,涌现了一大批描写小人物在面对强权时所产生的各种心理状态的剧目,可以说,这与公式化、概念化的创作相比,是一个进步,甚至可以说是一种本质上的进步。作家们经过漫长的创作实践和痛定思痛的思考,终于从空洞说教的阴影下走出来,开始写人,写阳光之下的人的灵魂。这真是可喜可贺。这其中不乏优秀之作,如张庆东的《送戏》,隋程雁的《告状之后》、《有病治病》,张海君的《吃请》和焦贵瑛的《夜深人不静》,等等。青年剧作家张庆东创作的拉场戏《送戏》,通过农民老七以及他的妻子想继续承
Since the rehearsal of the duo to the new repertoire in Jilin Province, there have been a large number of repertoire depictions of various mental states that come with the face of power, and it can be said that this is an improvement over the formalized and conceptualized creation , Can even be said to be an essential improvement. After a long period of creative thinking and painful thinking, writers finally walked out of the shadow of empty preaching and started to write and write the souls of people under the sunshine. This is really gratifying. Many of these outstanding works, such as Zhang Qingdong’s “play”, Sui Chengyan’s “after the complainant”, “sick disease”, Zhang Haijun’s “eat please” and Jiao Guoying “night deep quiet” and so on. Young playwright Zhang Qingdong creation pull play “show”, through the farmer seventh and his wife want to continue