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进行此项研究是(1)作为对计算机图解指示器体系新用途的探讨的连续的一部分;(2)为了测量和展示出一把小提琴的振动着的板面的运动;以及(3)此较两把相差极大的提琴板面的运动。这些实验表明(1)当空弦 G 发音时整个小提琴沿琴头到弦总的中心线发生振动;(2)当空弦 D 和 A 发音时琴马右脚在音桂控制下几乎保持静止,而左脚却有力地驱动着低音梁上下振动;(3)有些形迹显示出在某些高频时,低音梁使琴马左脚几乎保持静止,而小提琴面板却受右脚的驱动围绕着香柱出现一摇摆运动;(4)在这两把提琴的板面上测得的波形更显著的是它们的相似性而不是差别。建议读者把本文介绍的技术以及它们使用的可能范围和[1][2]文内的那些加以比较。这两篇文章分别介绍了在研究提琴运动方面采用的两种截然不同的现代工艺学。
This research was conducted as follows (1) as a continuum of discussions on the new use of computer graphic indicator systems; (2) in order to measure and demonstrate the vibratory plate movement of a violin; and (3) Two great difference between the violin board movement. These experiments show that (1) the entire violin vibrates along the total centerline of the piano head to the chord when the chord G pronounces; (2) when the chords D and A are pronounced, the right foot of the bridge remains almost stationary under chorus control and the left The foot strongly drives up and down the bass beam; and (3) some traces show that at certain high frequencies the bass beam keeps the bridge barely left still while the violin panel is driven by the right foot around the incense stick A swinging motion; and (4) the waveforms measured on the plates of both fiddles are more striking than their similarity, not the difference. The reader is encouraged to compare the techniques described in this article with the possible scope of their use and those in [1] [2]. These two articles each introduce two very different modern techniques used in the study of the violin movement.