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顔真卿是中國書法史上一位承前啓後的書法家,其書法作品爲歷代所珍視,即便片紙隻字,也被反復傳刻。近百年來新發現的顔真卿作品,絶大部分是埋藏于地下的碑刻墓志,多出土于北方的西安、洛陽等唐代政治中心,而江南發現的顔真卿書迹極爲罕見。筆者新發現的顔真卿書《殷踐猷墓碣銘稿》刻石,爲一方明代帖石,現僅存首石,清代藏書家馮雲濠舊藏,今歸寧波市江北區文管會所藏。此石長久以來被誤認爲是《滋蕙堂墨寶》中的帖石。本文梳理了此石的收藏、流傳過程,并考證此帖的文本出處,推斷此帖應爲顔真卿起草《殷踐猷墓碣銘》的手稿,極可能是顔真卿真迹。此石雖非全璧,但雖殘尤珍,既可供專家學者研究探討,也可以作爲臨池的又一範本。
Yan Zhenqing is an accomplished calligrapher in the history of calligraphy in China. His calligraphic works are cherished by ancient times. Even if the piece of paper is only written, he is repeatedly handed down. Yan Zhenqing, a newly discovered work in the last hundred years, is mostly buried in the underground inscriptions, mostly excavated in the Tang Dynasty political centers such as Xi’an and Luoyang in the north. Yan Zhenqing’s handwriting found in Jiangnan was extremely rare. The newly discovered Yan Zhenqing book “Yin Jian 猷 tomb 碣 Ming draft” carved stone, a stone for the Ming Dynasty, now only the first stone, Qing Dynasty collector Feng Yun Ho old possession, now go to Jiangbei District, Ningbo City, the text of the possession of the possession. This stone has long been mistaken for “Zi Huitang ink” in stone. This paper combs the collection and circulation of this stone, and textual research of the text of this post, infer that this should be drafted Yan Yanqing “Yin Jian 猷 tomb 碣 Ming” manuscript, most likely Yan Zhenqing authentic. Although this stone is not all-bi, but the residue especially Jane, both for experts and scholars to study and explore, but also can be used as another model Pro Linchi.