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超市,以及它的迷你型兄弟便利店,是一个神奇而又怪诞的空间。它们是现代生活的象征。它们以快速、方便的方式重组了现代生活,曾几何时,我们身边的油店、米店、小卖部都消失不见了,超市取而代之,你总能在那里找到你想要的所有一切。于是,传统日常生活的那种诗意消失了,漫步街头的那种惬意被漫游超市的那种满足感取代。蓦然发现,我们的生活被公司、家庭和超市三点一线似地连接,在消费主义的网络中,我们似乎无处逃遁。超市几乎是每一个关注现代生活导演的必选场景,而对待超市的态度则时刻传达着他们对待当代社会的态度。超市可以是诗意的,在那井然有序的商品橱柜之间,人类一切的差异都仿佛消失了,人人都是消费者,人人都是在超市终端的付款机面前得到了平等对待;然而,超市也可以是被攻击的对象,因为有些导演明白,它就是那个资本主义醉生梦死的策源地,于是,对这个社会的反叛也必须从那里开始。并且,超市几乎拥有着等同于电影的观看方式,人们的消费已经不再建立在生活必需品之上,超市需要你用“观看”来消费,在超市这个透明的空间内,凝视得到了新的理解。
The supermarket, and its mini brother convenience store, is a magical and weird space. They are symbols of modern life. They have reorganized modern life in a quick and easy way. Once upon a time, the oil, rice and canteens around us disappeared, the supermarket was replaced, and you can always find everything you want there. As a result, the poetic nature of traditional everyday life disappeared, and the kind of satisfaction that roamed the streets was replaced by the satisfaction of roaming supermarkets. Suddenly found out that our lives are connected by companies, families and supermarkets in a three-point line, and we seem to have nowhere to escape in the consumerism network. Supermarkets are almost always the focus of modern life director's choice scene, and treat the supermarket's attitude is always convey their attitude towards contemporary society. The supermarkets can be poetic, and all the differences in humanity seem to disappear between the well-ordered merchandise cabinets, everyone is a consumer, and everyone is treated equally in front of the machine at the supermarket terminal; however , Supermarkets can also be the subject of attacks, because some directors understand that it is the source of capitalist dreams of death, therefore, the rebel against this community must start there. Moreover, the supermarket has almost the same way as the movie viewing, people's consumption is no longer based on the necessities of life, the supermarket you need to use “watch” to consume, in the supermarket in this transparent space, gaze got new Understanding.