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众所周知,日本的三大电子乐器制造商是罗兰(ROLAND)、雅马哈(YAMAHA)和库根(KORG)。三巨头各自拥有独特的技术,总体水准难分上下,但在具体音色上还是有着一定的差异,或者说是具有“个性”。 MIDI1.0标准,也即我们平时经常提及的“通用MIDI”(GENERAL MIDI,简称GM),对音色的排序实际上是相当简单的,仅仅规定了必须具备128种编号统一的音色,而对此之外的音色则没有限制,给各厂商提供了任意发挥的余地。于是,罗兰公司提出了一种名为GS的音色组织概念,雅马哈公司则提出了一种名为XG的音色组织概念——以128个GM
As we all know, Japan’s three major electronic musical instrument manufacturers are Roland, Yamaha and KORG. The Big Three have their own unique technology, the overall level is difficult to distinguish from top to bottom, but there are still some differences in the specific tone, or is a “personality.” The MIDI 1.0 standard, which is commonly referred to by us as General MIDI (GM), is actually quite simple to sort the timbre. It only stipulates that you must have 128 uniform tone numbers, There is no limit to the tone beyond this, which gives the manufacturers the freedom to play at will. As a result, Roland proposed a concept called timbre organization GS, Yamaha company put forward a concept called Tone XG organization - to 128 GM