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《广岛受难者的挽歌》是现代作曲家克里斯托夫·潘德列夫斯基的代表作,也是现代音色音乐的代表,是20世纪现代音乐发展的一个重要的里程碑。潘德列夫斯基作为当今音乐界的大师,其音乐创作的技法和思维是众多学习音乐创作者研究和学习的标榜。本文试图通过对《广岛受难者的挽歌》创作技法的研究对潘德列夫斯基的现代音乐创作思维进行分析,从而理解音乐创作进入20世纪脱离调性之后的一些创作技法和艺术审美。
The “Elegy of Hiroshima Victims” is a masterpiece by modern composer Christoph Pandavski and a representative of modern timbre music. It is an important milestone in the development of modern music in the 20th century. As a masters of music today, Pande Levski’s technique and thinking of music creation are all advertised by many musicians who study and learn music. This article attempts to analyze Pendelevsky’s modern thinking of music creation through his study of the technique of “The Elegy of Hiroshima Victims,” so as to understand some creative techniques and artistic aesthetics after the musical creation broke away from tonalism in the 20th century.