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在当代中国学术界,由于多方面的原因,“当代美学”是一个内涵模糊外延混乱的理论概念。这种理论上的模糊和混乱造成对当代文学艺术的理解、对当代文学艺术意义的理论阐释呈现出众说纷纭的局面。因此,在理论上研究和阐释当代美学的基本问题和重大问题,厘清当代美学问题与当代批评形态的关系,就具有了理论上的重要性和迫切性。近年来,美学的转型,或者说美学的当代复兴正在引起学术界的普遍关注。如果不抱理论偏见地看
In contemporary Chinese academia, for many reasons, “contemporary aesthetics” is a theoretical conception of fuzzy confusion. This kind of theoretical ambiguity and confusion has caused the understanding of contemporary literature and art, and the opinions on the contemporary literary meaning have shown divergent opinions. Therefore, it is of theoretical importance and urgency to study and explain the basic problems and major issues of contemporary aesthetics in theory and to clarify the relationship between the contemporary aesthetic problems and the contemporary forms of criticism. In recent years, the transformation of aesthetics, or the contemporary revival of aesthetics, is arousing widespread concern in academia. If you do not hold the prejudice to see