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翻阅文艺报刊,常常可以见到高学敏的戏剧剪纸。观之,颇能给人以美的享受,回味起来也极富韵味。高学敏剪纸艺术的魁力何在呢? 其一,场面的瞬间美。在戏剧表演中,一本戏或一折戏总是由许多不同的场面瞬间所构成,这些瞬间也往往随着表演进程而一闪即失。因此,要用独幅或多幅剪纸来表现,绝非易事。如果任意截取一个瞬间入画,很可能有剪不尽意之弊。然而只要作者既能理解全剧的整体之“面”,又能熟悉局部的瞬间之“点”,并着力于把最关键、最生动的典型瞬间截取入画时,方有瞬间之美可言。高学敏的戏剧剪纸妙就妙在这一点上。例如他创作《游西湖》剪纸作品时,并没有把这一本戏处理成数十幅的成套连环画,而只仅仅在“花园钟情”、“生死
Read literary newspapers and magazines, often can see Gao Xuemin’s dramatic paper-cut. Viewpoint, quite give people enjoy the United States, aftertaste is also very rich flavor. Highly sensitive paper-cut art of the charm? First, the scene of the United States moment. In theatrical performances, a play or a play is always composed of many different moments in the scene, these moments are often flash with the progress of the show. Therefore, the use of single or multiple paper-cut performance, by no means easy. If you arbitrarily capture a moment into the picture, there may be scissors do not want to make ends meet. However, as long as the author not only understands the overall “face” of the whole play, but also knows the “spot” of the local moment and focuses on the interception of the most crucial and vivid typical moment into the painting, the moment has beauty. Highly sensitive play paper cut wonderful wonderful at this point. For example, when he created the paper-cutting works of “Traveling West Lake”, he did not handle the play into dozens of sets of comic books, but only in “Garden Love,” "Life and Death