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近三十年来建立在写实的西洋素描为造型基础上的中国画创作与教学,一直循着写实与再现的路子递传。西方写实绘画的传入,无疑使近代“颓败已极”(徐悲鸿语)的中国画呈现了生机,无论是表现现实生活的能力,还是绘画形式都有长足的进展。然而,中国画的“妙”处并非写实与再现,具体形象的准确、酷似的刻画并不是中国画之长处,
The creation and teaching of Chinese painting, based on the realistic sketches of western sketches established in the last three decades, has been handed down along the path of realism and reproduction. The introduction of western realistic painting undoubtedly made the modern Chinese painting “Decadent Dejected” (Xu Beihong) very vividly. Both the ability to show real life and the form of painting have made great strides. However, the “wonderful” place of Chinese painting is not realism and reproduction. The accurate and exact description of concrete image is not the good of Chinese painting.