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绘画表现对象,是绘画者所致力的客体,是绘画活动所追求的目标,从纷繁杂乱的绘画史实中,抽绎出不同性质的绘画表现对象,以作历史性的整体现照,将有助于探寻人与绘画之间不断嬗变着的微妙关系。在讨论董其昌的历史作用之时,以此为入口,也许能够发现某些更深层次的内涵。一、他律与自律——从画什么到怎么画“画什么”和“怎么画”,是一个关联域的两个方面。如果说,“画什么”意味着绘画的内容蕴含,“怎么画”意味着绘画的形式手段,那么,在任何情况下,两者都如道之有阴阳、物之有器用一样,以并协同在的方式,维持着相互间不可分割的整合关系。然而,倘若从中抽绎出绘画表现对象这个人所致力的客体目
The object of painting is the object of painter’s dedication and the goal pursued by the painting activity. From the complicated historical paintings, we can deduce the object of painting of different nature as a historical whole, which will help In exploring the subtle relationship between the continuous evolution of people and painting. When discussing the historic role of Dong Qichang, taking this as an entrance may find some deeper connotations. First, the law and self-discipline - From what to paint how to draw “What to paint” and “how to paint” is a related area of ?? two aspects. If we say that “painting what” means that the content of painting implies that “how painting” means the formal means of painting, then in any case, both of them have their own ways and do things in the same way. In the way, maintain the indivisible relationship between each other. However, if we deduce the object of painting which is the object of the performance of painting