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在我国的传统历史文化中,书法和雕塑都占据着重要的地位,而书法在我国人民的眼中更是艺术情操和审美情趣的象征,相比之下雕塑并没有民族精神的体现,它始终游走在模仿和创新之间,在借鉴和吸收之间寻找一个契合点。为了让我国的雕塑具有艺术价值,就必须将我国特有的民族精神与雕塑相结合,用带有民族烙印的艺术语言来诠释雕塑的艺术价值。本文针对民族文化与雕塑的结合,将书法运用到雕塑的创作当中,并借助公共艺术的形式来展现我国的民族文化。
In our country’s traditional history and culture, calligraphy and sculpture all occupy an important position. Calligraphy, in the eyes of our people, is even a symbol of artistic sentiment and aesthetic taste. In comparison, sculpture has no manifestation of national spirit. It always travels Walk in between imitation and innovation, in the reference and absorption to find a meeting point. In order to make the sculpture of our country have the artistic value, we must combine the unique national spirit of our country with the sculpture, and use the nationally imprinted art language to interpret the artistic value of the sculpture. In this paper, the combination of national culture and sculpture, the calligraphy applied to the creation of sculpture, and with the help of public art to show our nation’s culture.