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木偶戏,亦称傀儡戏,是我国戏剧艺术园地中的一朵奇葩。扬州木偶戏以其“造型逼真,制作精巧,表演细腻,配唱优美”等艺术特征成为我国木偶艺术的佼佼者。它贵在创新其发展过程,经历了“从俑到木偶戏”,“从民间艺术到舞台艺术”,“从舞台艺术到高度成熟的综合性艺术”三次质的飞跃。解析这三次飞跃,不仅对于研究扬州木偶艺术的发展,而且对于进一步认识我国木偶艺术的价植,更好地探索木偶艺术的未来发展,都具有一定的意义。
Puppet show, also known as the puppet show, is a wonderful flower in the theater of Chinese art. Yangzhou puppet show with its “realistic modeling, exquisite production, performing delicate, with beautiful singing” and other artistic characteristics become the leader of puppet art in our country. It is expensive to innovate its development process, experienced three qualitative leaps of “from figurines to puppet show”, “from folk art to the stage art”, “from stage art to highly mature comprehensive art”. The analysis of these three leaps not only has great significance for studying the development of puppet art in Yangzhou, but also for further understanding the price cultivation of puppet art in our country and exploring the future development of puppetry art better.