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明清时期,戏曲创作繁盛,前人对戏曲曲目做了大量整理工作,出版多种有关曲目著录、编纂的著作。然而史料浩繁,仍有未见著录的曲家曲目。笔者通过检阅方志文献,将前人未著录的曲家胡超、谢一鹗、刘坤、郭凤鸣、陈文政、戴泽同、杜桂林等人及其作品加以考订,供研究者参考。一、胡超《班超传奇》胡超《班超传奇》,未见著录。民国《汤溪县志》卷十二“艺文志”著录《耻庵集》时提及此剧:
During the Ming and Qing Dynasties, traditional opera creations were prosperous. Many predecessors did a great deal of work on the dramas of the operas and published many books on the cataloging and compiling of the repertoire. However, many historical materials, there are still no recorded songwriter tracks. Through reviewing the literature of Fangzhi, the author examines Hu Chao, Xie Yiyi, Liu Kun, Guo Fengming, Chen Wenzheng, Daise Tong, Du Guilin and others whose works were not recorded before for reference by researchers. First, Hu Chao “class legend” Hu Chao “class legend”, no bibliography. Republic of China “Tangxi County,” Volume Twelve “Yi Wen Zhi ” Cataloging “Shamean set” Mention this play: