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郝爱平的人物画,在单纯与质朴之外,总有一种略显神秘的基调,也许这就是童心之下世界的本色。数十年来,他不断地用画笔追逐与再造这些童年的记忆与梦境,而笔墨也因此变得鲜活,在不断变换的意象中,将童心与真趣呈现得完满而自足。郝爱平的人物画,意象基调虽然单纯,但在画面立意与形式结构上却异常灵动而自由,反映了他内在的创造活力与对视觉要素的敏感。他所画的童子题材,历来是传统人物画的重要内容,如宋元时期的婴戏图、货郎图,明清以后民间绘画更增加了许多吉祥寓意,如莲生贵子等,使得
Hao Aiping’s portraits, in simplicity and simplicity, there is always a slightly mysterious tone, perhaps this is the true nature of the innocent world. For decades, he has constantly used the brush to chase and rebuild these childhood memories and dreams. As a result, his ink and ink have become vivid. In a constantly changing image, his innocence and real interest have been shown to be perfect and self-sufficient. Hao Ai-ping’s portraits and pictorial images, though simple in tone, are exceptionally flexible and free in the images and the formal structures, reflecting his intrinsic creative vitality and sensitivity to visual elements. The theme of the boy he draws has always been an important part of the traditional figure painting. For example, the Song and Yuan Dynasties’ drawings of the opera and the shopkeeper, the folk paintings after the Ming and Qing dynasties added many auspicious meanings,