纪实?身体?生存景观 ——浅析《消失在黎明前》中的身体形态叙事

• 作 者: 李逸飞
• 机 构: 南京师范大学文学院,
• 出 处: 青年文学家
• 发表日期: 2017年27期
• 关键词: 纪实镜像 身体形态 情欲景观 社会规训力

在金行征导演的纪录片《消失在黎明前》中,关于身体形态的表达无疑构成了一套隐秘的欲望话语装置体系,无论是在山野间繁密生长的植物、还是在浓草中疯狂媾和的动物抑或是片中老人无声而静默的身体动作,都构成了多重身体景观的指认。在某种程度上,金行征利用强烈的纪实性效果构置了一种叙事形态,而这样的叙事模式在电影中实质处于被架空的属性,这正是《消失在黎明前》鲜明的艺术特色。

In the director’s documentary “Diminished Before Dawn,” the expression of bodily form undoubtedly constitutes a covert system of desire discourse devices, whether plants that grow densely in the mountains or wild animals in thick grass or Is silent and silent body motion of the elderly in the film, constitute the identification of multiple body landscape. To a certain extent, the bank’s performance of leveraging a strong documentary effect constitutes a narrative form, and such a narrative mode is essentially an overhead attribute in the movie, which is exactly the distinctive artistic feature of “disappearing before dawn.”