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我第一次看《乱世佳人》这部电影是在第二次世界大战期间,此后数十年中,我不止一次地观赏它,终于明白了它久负盛誉的原因。影片中那些令人难忘的人物和他们那热爱家乡的激情,特别是女主人公郝思嘉对陶乐庄园压抑不住的眷恋以及她掌握自身命运、不被战争及其后果所摧毁的顽强意志都在观众中引起强烈的共鸣。正如电影历史学家罗纳德·哈弗所指出的:郝思嘉从影片一开始,当她知道她的意中人卫希礼准备与韩媚兰结婚的时候起,就拒不承认失败。她经历了“战争、婚姻、贫困、南北战争后的重建运动、生与死、未遂的强奸、流产和失恋”。她被白瑞德抛弃后,发誓要“回陶乐去,‘想方设法要重新得到他,明天必竟是新的开始。’”这就是影片所蕴含的永恒的主题。
The first time I watched “Gone With the Wind” was during the Second World War. I watched it more than once in the decades that followed. I finally realized why it has a long history of pride. The unforgettable characters in the film and their passion for hometown, especially the heroine Scarlett’s unforgettable attachment to Tao Le Manor and her stubborn will to be destroyed by the war and its consequences, In aroused strong resonance. As the film historian Ronald Hover points out: Scarlett, from the very outset of the film, refuses to admit defeat when she knows she’s intended to be married to Melanie. She experienced “war, marriage, poverty, reconstruction after the Civil War, life and death, attempted rape, miscarriage and romance.” After she was abandoned by White, she vowed to “return to Tao Le,” trying to find him again and tomorrow will be a new beginning. “” This is the eternal theme of the film.