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一、引言尽管20世纪六七十年代早期英国文学市场不尽如人意,“出版费用以惊人的速度攀升(每年高达30%-40%)、出版书目普遍减少、售书数量更是急剧下降、欧洲出版业的日益美国化,还有在出版行业中广泛流行的对小说未来的悲观失望论调”[1]157,但洛奇的《换位》却引起轰动,被公认为他创作成熟的标志,这与他对文学市场的看法有关。他认为,“自古以来,文学市场不仅是获取物质利益、传播散文小说的手段,而
I. INTRODUCTION Despite the disappointing British literature market in the early 1960s and 1970s, publishing costs have risen at an alarming rate (up to 30-40% per annum), publication titles have generally declined, and the number of book titles drastically declined The growing Americanization of the publishing industry in Europe and the pessimism and disappointment that has prevailed in the publishing industry for the future of the novel. ”[1] 157 However, Lodge’s“ transposition ”has caused a sensation and is widely recognized as his creative maturity The sign, which is related to his view on the literary market. He believes that "since ancient times, the literary market is not only a means of obtaining material interests and disseminating prose novels