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阿恩海姆在《艺术与视知觉》一书中,基于格式塔心理学理论原则,论证了运动这一最容易引起强烈注意的现象的视觉体验方式和认知手段,阐述了“运动”作为视觉元素在艺术作品的形式构建和内容(主要是情感)传达过程中的重要作用。运动作为视觉元素在书法中的应用,则显得更加微妙。书法家基于创作需要,在长期的实践中摸索出驾驭作品中运动的技巧和理论。由于理论基础和研究方式的差异、表达方式的不同,许多书法家的论调从表面上看与阿恩海姆的理论大相径庭,但是,经过细致的梳理,却发现两者的理论在核心观念上不谋而合,殊途同归。
Arnheim, in his book The Art and Vision Consciousness, based on the theory of Gestalt psychology, demonstrates the visual experience mode and cognitive means of movement, the phenomenon that causes the most intense attention. "As a visual element in the form of art works and content (mainly emotional) important role in the process of communication. The use of movement as a visual element in calligraphy is more subtle. Calligraphists based on the creative needs, in the long-term practice to explore the skills to master the movement in the work and theory. Due to the differences in theoretical basis, research methods and expressions, many calligraphers apparently differ greatly from Arnheim’s theory. However, after careful examination, they find that the two theories are not based on the core concepts Seeking the same result.