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正如華語影壇的功夫片,武士片作為日本所獨有的影視種類深受日本國民喜愛並在國際影壇屢獲大獎,其中尤以黑澤明導演的武士電影為甚。從1950的《羅生門》,到1985的《亂》,武士電影備受黑澤明的青睞,而黑澤明的武士電影更是受到了世界影壇的青睞。是什麼讓黑澤明的武士電影有如此魅力?他影像中的武士又是呈現出何種形象以致被世界所接受?因而本文將以黑澤明的《七武士》為例,結合其相關影片,從影像中瞭解黑澤明,探討其對武士及武士道精神的詮釋。
As Chinese-language film kung fu films and samurai films as Japan’s exclusive film and television category loved by Japanese nationals and won numerous awards in international cinema, especially the Kurosawa directed Samurai movie is even worse. From “Rashomon” in 1950 to “chaos” in 1985, warrior movies were favored by Kurosawa Akira, and Kurosawa’s warrior films were favored by the world film industry. What makes Kurosawa’s samurai film so attractive and what kind of image does the warrior present in the image so that it is accepted by the world? Therefore, this article will take Kurosawa’s “Seven Samurai” as an example, , Understand Akira Kurosawa from the video, to explore its interpretation of the spirit of warriors and Bushido.