浅议我国古典诗歌中的“移情”

• 作 者: 余海娟
• 机 构: 河南省鲁山一高,
• 出 处: 青少年日记(教育教学研究)
• 发表日期: 2013年03期
• 关键词: 古典诗歌 诗歌创作 移情作用 社会生活 大诗人杜甫 自然景物 女词人 文人骚客 妻子儿女 声声慢

自古以来,文人骚客在诗歌创作中往往赋予自然景物以人的行动、性格、生命及思想感情,使自然景物反映出人和社会生活的美。这就是美学所称的诗歌创作的“移情作用”。古诗歌的“移情现象”表现在三个方面一、由“联想”而产生的“移情现象”在人类丰富而复杂的思维活动中,那些具体可感、形象生动的联想比起那些单纯的、抽象的理性的联想更能产生“移情作用”。在诗歌创作中,诗人由时间感悟、空间体验或相似感而产生

Since ancient times, the literati and poet often give natural sceneries the human actions, personality, life and thoughts and feelings in poetry creation, making the natural scenery reflect the beauty of human and social life. This is the “empathy” that aesthetics calls poetry. The “empathy phenomenon” in ancient poetry is manifested in three aspects: 1. “Empathy phenomenon” caused by “association” In the rich and complex thinking activities of human beings, those who are concretely sensible and vivid Associations produce “empathy” more than those simple, abstract, rational associations. In the poetry creation, the poet is produced by time sentiment, space experience or similar feeling