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我们经常说:“越剧有两个奶娘,一个是昆曲,一个是话剧。”事实的确如此,越剧在其百余年的形成过程中,从昆曲和话剧艺术中吸收了大量营养,借鉴了众多艺术创作规律。正因为如此,越剧既保留了昆曲中文化底蕴深厚的古典美,同时也融入了丰富的现代意识。我们可以说,越剧可能是目前我国戏曲剧种中,拥有年轻观众最多的青春剧种。但是即便如此,当越剧遇到“现代戏剧之父”易卜生的作品时,我们仍然会为
We often say: “There are two wet nuns in Yue Opera, one is Kunqu Opera and the other is Drama.” Indeed, during the one hundred years of their formation, Yue Opera absorbed a great deal of nutrition from Kunqu opera and drama art, Many laws of artistic creation. Because of this, Yue Opera not only retains the deep classical beauty of the Kunqu opera, but also integrates rich modern consciousness. We can say that Yue Opera may be the most popular youth drama in China’s operatic drama. But even so, when Shaoxing met the works of “Father of Modern Drama” Ibsen, we would still be