论文部分内容阅读
莫勒欧·庞蒂的短文《塞尚的疑虑》发表于1945年的12月。同年,他出版了他的专著《感觉现象学》,这本书后来成为存在主义现象学的经典宣言并与琼—保尔·莎特(Jean-paul Sartre)一道创立了“Les TempsModernes”。莫勒欧·庞蒂这篇短文表面上看去好象是对塞尚绘画的考证,其实,庞蒂在塞尚的绘画中找到了与他的哲学沉思相似的艺术精神。不过,我们的审慎应当有所保留。就象沙宾·库特(Sabub Cotte)注意到的,虽然法国国家博物馆馆长认为“塞尚的各种理论的自相矛盾足以使一个人去确认任何事物”。但是,这儿有一个危险——莫勒欧·庞蒂在塞尚绘画中所发现的不外乎是他
Muleoti Ponti’s essay, “Cézanne’s doubts,” was published in December 1945. In the same year he published his monograph “Phenomenology of Sensation,” which later became a classic declaration of existential phenomenology and founded “Les Temps Modernes” with Jean-paul Sartre. Moro Ponty’s essay on the surface seems to be a research on Cezanne’s painting. In fact, Pontius found a similar artistic spirit in Cezanne’s painting as his philosophical contemplation. However, our prudence should be reserved. As Sabub Cotte notes, although the director of the National Museum of France considers “the self-contradictory theories of Cezanne enough to make one person identify anything.” But there is a danger here - what Mylio Ponti discovered in Cezanne’s painting is nothing more than his