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没骨画不同于工笔和写意,没骨的“没”即淹没而含蓄之意,其精要在于将运笔和设色有机的融合在一起,不用勾轮廓,不要打底稿,更不能放底样拓描。作画时,要求画者胸有成竹,一气呵成。在书法里把笔锋所过之处称为骨,其余部分称为肉,没骨画将墨、色、水、笔融于一体,在纸上予以巧妙结合,重在蕴意,依势行笔。我画没骨画最初是看到我的老师—卢沉先生的一组作品,老师画的是屈原、苏东坡等,属文人画,当时老师的观点求新、求变,就没有继续深入下去,改画其他,我
No bone painting is different from the meticulous and freehand, no bone “no ” submerged and subtle meaning, the essence is that the combination of pen and color organic integration, do not hook the outline, do not hit the draft, but can not put Topography extension. When painting, ask the painter with everything in one go. In the calligraphy where the front where the brush front is called bone, the rest is called meat, no bone painting ink, color, water, pen into one, on the paper to be clever combination, focusing on meaning, . I did not draw a bone painting originally saw my teacher - Mr. Lu Shen a group of works, the teacher painted Qu Yuan, Su Dongpo, is a literati painting, then the teacher’s point of view novelty, change, it did not continue further, Remix the other, me