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今年三月中旬,北京召开了為期兩天的‘曹禺劇作改編學術討論會’。這是一次由中國電影家協會所属的專業性理論刊物《電影藝術》主办的,在京的四十位电影工作者、藝術家和老一代話劇藝術家出席了會議。討論會自始至終洋溢着暢所欲言、實事求是的更好氣氛,體現了評論自由的新風尚。三十年代的話劇名著——曹禺劇作‘三部曲’《雷雨》、《日出》、《原野》曾給中國話劇運動以及廣大文藝青年帶來了巨大影響。如果說,當年巴金先生的巨著《家》、《春》、《秋》(被稱為激流‘三部曲’)曾經推動過一代人為反对封建制度和舊禮教、舊意識,爭
In mid-March this year, Beijing held a two-day ’Cao Yu Adaptation Academic Symposium’. This is a film organized by the professional theory of the China Film Association belongs to the publication of the art, in Beijing, 40 film workers, artists and the older generation of drama artists attended the meeting. Throughout the seminar, there was a better atmosphere of seeking truth from facts and seeking truth from facts, reflecting the new style of freedom of opinion. Thirties drama masterpiece - Cao Yu’s trilogy ’Thunderstorm’, ’Sunrise’, ’Wilderness’ had to the Chinese drama movement and the vast number of literary youth had a tremendous impact. If, then, Mr. Ba Jin’s masterpieces such as “Home”, “Spring” and “Autumn” (referred to as the “Thriller Trilogy”) have promoted generations to oppose the feudal system and old ethics and old consciousness