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《哈姆雷特》是一部关于记忆与情感的悲剧。剧中包括新国王在内的众多人物都能轻松摆脱情感与记忆的桎梏,逍遥面对现在与未来,而哈姆雷特却沉陷于过去的记忆与情感中举步不前。正是记忆的深刻性与肤浅性并具、固定性与流动性难辨,也是记忆的长久性与易逝性并存、完整性与破碎性莫辨,使得哈姆雷特在思想的炼狱里辗转服刑,在情感的熔炉里备受煎熬,在行动的世界里举步维艰。本文结合哈姆雷特的记忆碑版以及文艺复兴时期的多种记忆认知理论,对记忆呈现的多种特征与成因进行分析。
Hamlet is a tragedy of memory and emotion. Many characters, including the new king, can easily get rid of the emotions and memories of the moment, face the present and the future with ease, while Hamlet is still in a recession in the memory and emotion of the past. It is the profoundness and superficialness of memory, which are difficult to distinguish between fixedness and fluidity. It is also the coexistence of long-term memory and perishableness, completeness and fragmentation, making Hamlet serve his sentence in the prison of thought. Emotional melting furnace, suffering in the world of operations difficult. Combined with Hamlet’s tablet memory and various memory cognitive theories in the Renaissance, this article analyzes various features and causes of memory presentation.