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空间问题是传统大写意花鸟画学习创作中所要面对解决的诸多问题之一,然而,在创作中通常先注意到的是以高度概括简练的笔墨语言对物象形态、神态进行表达,以笔墨抒发作者对客观物象的主观感受为主导,很多情况下空间不作为首要考虑的因素。因此,空间意识的重要性易被忽视。在传统大写意花鸟画的发展历史中,研读一流画家作品不难发现,作者在处理画面空间问题时的苦心孤诣。所以对其空间意识的研究对我们的学习创作有重要的实践指导意义。
Space is one of the many problems to be solved in the traditional Chinese painting of flowers and birds. However, what we usually pay attention to in writing is the expressiveness of the form and the expression of the image in the highly generalized pen and ink language, The author’s subjective perception of objective objects is dominant, and in many cases space is not the primary consideration. Therefore, the importance of spatial awareness is easily overlooked. In the history of the development of the traditional Chinese painting of flowers and birds, it is not hard to find the first-rate painter’s works. The author painstakingly solves the problem of the space of the picture. Therefore, the study of its spatial awareness has important practical guiding significance for our study creation.