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贝多芬只有一个,但被排成队的钢琴家弹奏出来的,是许多个贝多芬。那个欢乐的、柔情的、痛苦的、沉重的、一意孤行或伤痕累累的、做为人的贝多芬,每一次都得到了重塑,仿佛他无时无刻不在路上奔跑,穿风过雨,而路却永无尽头。在二十世纪,贝多芬的幻化之身是施纳贝尔、阿劳、吉利尔斯、塞尔金、菲舍尔、肯普夫和巴克豪斯。如果对照起来听,他带来的外在印象始终被内在的钢琴家们干扰着,他被他们附体,并且逐渐开始小于一。如果可以去掉挑剔的耳朵、个人情怀、历史感受以及录音技术的差
Beethoven only one, but was lined up by the pianist playing out many Beethoven. Beethoven, a joyous, tender, painful, heavy, insane, or scarred beings man, has been remodeled each and every time, as if he was running all the time on the road, wearing the wind and rain, and the road was never End. In the twentieth century Beethoven’s illusions were Schnabel, Arau, Jilliels, Selkin, Fischer, Kempff and Barkhaus. By contrast, the external impressions he brings are always interfered with by the inner pianists, who are possessed by them, and gradually begin to be less than one. If you can get rid of picky ears, personal feelings, historical experience and recording technology difference